Sound-led virality. Real creators deploying your track to real audiences — attention engineered into streams, never bots.
Run a Free Audit →Real creators — their faces, their audiences — posting with your sound. What you are buying is credibility.
Short-form video produced from your material: 30, 50 or 100 clips. We hand you the files, or schedule them into your own accounts. What you are buying is volume.
Paid amplification of the posts that already earned attention. What you are buying is certainty.
Three services, bought separately. Almost nobody needs more than one — pick the sentence that sounds like you and the rest of this page becomes that.
Not a boosted post and not a repost — each creator makes their own video, in their own style, with your track under it, and posts it to their own account. Pick how much combined following you want in front of your sound.
Followers of the creators we book, added up. Not views — see below.
Separate accounts, each posting their own video.
First placement live 2–3 days after booking.
Placements are spread across the window rather than posted together. A sound that turns up gradually looks like people finding it; the same 4 videos on one afternoon look like what they are. First placement goes live 2–3 days after you book.
A mix, not one big account and not a pile of tiny ones. You get every handle and follower count when you book — check each of them before we place anything.
If a booked creator does not post inside the window, we replace them or refund that placement.
Follower reach is not views. It is the combined following of the accounts we book — a fact you can check, handle by handle, before a single video goes out. What TikTok then does with those posts is decided by the For You feed, not by us and not by the creator, so we do not sell you a view count and we do not forecast one. We report the views every post actually gets.
These creators and their audiences are in Central Asia and the CIS. That is deliberate: it is reach at a price no Western creator roster comes close to, on a platform where a sound that catches does not stay inside the market it started in. If you need a specific market or genre instead, we source it — ask.
Nothing here is a guarantee of chart movement, streams or followers. What is guaranteed is the booking: this many creators, this much combined following, posted inside this window.
One payment. No ad budget, no percentage, nothing else to fund.
Handles sent the same day. Verify before we place.
Any genre, any market, any size — including creators we do not currently work with. Tell us the audience you want in front of your sound and we source and price it as a one-off. Labels running several releases a quarter get rates and invoicing rather than checkout.
Scope a custom pack →Most artists lose this channel to the content grind, not to the algorithm — one video a month cannot hold a place on a feed that moves daily. We produce the volume from your material, and it stays yours.
This is the answer that moves the price and the schedule, so it is worth getting right before anyone quotes you. Editing existing footage and creating the material from nothing are different jobs.
Neither of these is the upgrade — pick whichever fits how you work.
€10.58 a clip, cut from footage you already have. One payment — no ad budget, no percentage.
Turnaround 7–10 days once we start.
Two things worth saying plainly. We never post from accounts we own — the clips are either handed to you, or scheduled inside accounts you control and can cut us out of whenever you like. And this is production, sold by the clip: you are buying the work and the output, both of which we can promise. What the feed then does with them it decides on its own, and we would rather say that than sell you a number.
Spark Ads amplify a post that exists — yours, or a creator's with their authorisation — so the ad keeps the original handle, the comments and the sound. The campaign runs on TikTok Ads Manager from your own account, which is where every euro clears.
Paid reach behind a post that already exists, under the handle that posted it.
A post that has already shown it works — yours or a creator's — where the organic signal is real and the only thing missing is volume. It keeps the original handle, comments and sound, so the paid reach lands on the post that earned it rather than on a fresh ad nobody has engaged with.
A cold start. Spark amplifies existing traction and cannot manufacture it, so with nothing organic to boost you are buying reach for a post the feed has already declined. Seed the sound with creators first, then Spark the one that moved.
Management fee. This is the only thing we charge you.
Billed to you by TikTok. It never passes through us.
Paced evenly across the cycle
Nothing runs until your own TikTok Ads Manager account is funded and the post we are boosting has been authorised by whoever owns it. Both are quick, and both are things only you can do.
This step is on you, and it is the one thing that can hold a campaign up.
You are buying the outcome itself, so what it costs is a price TikTok Ads sets in the auction — not a number anyone can promise you in advance.
TikTok pushes the post to small batches and watches what they do — how far they scroll, whether they replay, whether they use the sound. Cost per result is at its worst this week by design. We change nothing: the feed is still deciding what this is.
Audiences that scroll past get cut and budget moves to the ones that finish. On TikTok the signal that matters is completion and replay, not clicks — a post people watch twice travels further than one they tap.
The strongest audience takes the largest share of the daily spend. This is the week paid views can start pulling organic ones behind them — other people using your sound, which is the only thing on this platform that compounds.
We hold the winners steady and write the report: what was spent, what TikTok counted, which cut of the track held attention longest, and what we would run next cycle. The post stays up when the budget stops.
Everything above except the spend is TikTok Ads’ own — the price is set in the auction and the results are counted by them, in an account you own. We publish no projected result count, because we have no delivery data of our own on this channel we would stand behind. The spend and its pacing are exact.
Delivery depends on the track, the creative, the audience, the market and TikTok Ads’ own review. Nothing here is a guarantee. The €500 budget is billed to you by TikTok Ads on your own account and can be paused by you at any time.
€150 to us · €500 to TikTok Ads on your account
You pay the fee only. Nothing is charged for ad budget.